Dianalindindex @ gmail.com
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Architect and blogger.
Contributer to Work Magazine #2. Member of Professor Murder band and archivist.
Diana Lind lives in Philadelphia where she is the editor of Next American City magazine. She is also a journalist whose writing has regularly appeared in Architectural Record and Art+ Auction. Her book, Brooklyn Modern, is in its second printing and Lind has been featured in a Q&A on NYTimes.com and an interview on Martha Stewart Living Radio, among other media outlets. She writes fiction in her spare time.
2008
Instructor, Drexel University
Brooklyn Modern: Architecture, Interiors & Design, Rizzoli
Editor in Charge, Architectural Record Houses 2008
Winner, ACLU Stand Up for Freedom contest (co-creator, Sarah Kramer)
2007
Resident, Blue Mountain Center
Finalist, Iowa Review Award
2006
Columbia University, M.F.A., Creative Writing
Editor, Designing the Hamptons: Portraits of Interiors, Edizioni Press
2004
Founder, Work Magazine
Instructor, Columbia University Summer Session in Creative Writing
2003
Cornell University, B.A., English
2002
Arthur Lynn Andrews Award for Fiction
Einhorn Discovery Grant
1999
Horace Mann School
1981
Born in Manhattan
During its nine years of existence, the Farm Security Administration employed some of America’s best photographers to document the hardships of living on relief during the Depression. The project resulted in an archive of 200,000 images some of which are featured in Bronzeville: Black Chicago in Pictures, 1941-43, a show that tells the story of Chicago’s urban underbelly, African-Americans chasing the American dream, and the architecture that failed to sustain them.
Casa Poli is only a 30-mile drive from Chile’s second-largest city, Concepción, midway down the country’s coast, but it feels perched at the edge of the world: a place with limitless ocean views, a soundtrack provided by wind and pelicans, and no other human beings within eyeshot, except for local fishermen in boats, hundreds of feet offshore. Venture 45 minutes outside any major city in the United States, and you’re in an exurban tangle of highways, but here, half the roads remain unpaved. In the States, a weekend house such a quick jaunt from the city would mean high prices for land and construction, yet here, Pezo von Ellrichshausen Architects (PvE) built almost 2,000 square feet for $63,000 dollars. But if the Coliumo Peninsula, on which Casa Poli rests, sounds too idyllic, the truth about its development should be told: On the bay side of this landform, construction cranes are busily erecting weekend retreats for city residents. Only the Pacific Ocean side has remained largely uninhabited, and mostly because many people consider its terrain less suitable for building. Of course, that could change now that word has gotten out about Casa Poli. (The house garnered first prize at the 2006 Santiago Biennale, where its architects, Mauricio Pezo and Sofia von Ellrichshausen, a married couple, won the Best Young Chilean Architects Award.) Read more…
When Paul Chan visited New Orleans for the first time in November 2006, the digital media and video artist expected to hear the sound of jackhammers and to see evidence of post-Katrina progress. He instead witnessed a far different scene: “The streets were still, as if time had been swept away along with the houses. Friends said the city now looks like the backdrop for a bleak science fiction movie. … I realized it didn’t look like a movie set, but the stage for a play I have seen many times. It was unmistakable. The empty road. The bare tree leaning precariously to one side with just enough leaves to make it respectable. The silence.”What the streetscape reminded him of was the setting in Samuel Beckett’s classic work Waiting for Godot. In the play, two men grapple with their nonsensical wait for a third; its philosophical reflection upon man’s uncertainty in the world seemed to Chan an apt metaphor for New Orleans’s precarious condition. Read more…